The Banality of Empathy
Douglas Sirk’s films are descriptive. Very few close-ups. Even in shot-countershot the other person doesn’t appear fully in the frame. The spectator’s intense feeling is not a result of identification, but of montage and music. This is why we come out of these movies feeling somewhat dissatisfied. What we have seen is something of other people. And if there’s anything there which concerns you personally, you are at liberty to acknowledge it or to take its meaning with a laugh.
(via cathecticgirl)















